Wednesday, October 28, 2009

Clear Fluid Release Before Period

Virtanen in Smyrna. RICARDO



On Friday, Oct. 23 opened a new course of Smyrna with the presence of Ricardo Virtanen.

A night full to the brim (as in Eire that covered our heads), where the audience could enjoy a few Haikus Madrid with aromas of Chicago.

Ricardo, perhaps because of their tables as a teacher, gave us an example of what should be the "Master Class" explaining everything about what they are and what it means Haiku poetry for him.

One night when all that was missing was a drum breaks. But as the poet says, and this Friday a "sweet time. / No time for much."

not miss the next. Team Smyrna.

Notes From footnotes (99 short poems) (2005)

PAIN OF THE DEAD EQUATION

days and mysteries are invincible.

Under the death of my thinking there are deaths
millennial human
feelings of others lives
pagan, desiring to my dream.
If I evaded fever
corrupts me a voice of omen inúti
gold watch contempt
if reality
palp with my eyes awake,
light emerges from that fateful
century awaiting my fate, stealthy.

not kill the most hurtful moments:
have to commit to days.


*
loiter
heaven my home
stars and obscure paths straight
an afternoon consumed.



* Sweet dreams dream that mud,
under the skin from the sun, these days
December.


*
Basho
When meditating on the dream of memory,
glow runs in the rain of your days.

*

The splendor of that dirty snow, the darkest shade

in the corners of dead cities.
What if the sun is reborn after spitting,
burns in the morning light.



*
Swords in the mist of my dream,
cut roses were my last. Morning
my madness is cold, crazy
shake my dreams.


*
ax
Under light and haze, glare
seduces
sad willow moss dying in the snow.


*

The drop in the cherry red lights
new day and dream.




* Junipers know everything
wet night that hides behind the dream.


* Shear

a land plows
leaden. They come and go, lingering, only shadows
wounds, loneliness
in the rain are echoes of a past
tiresome.


*

A hard
machete cuts down a tree that bleeds. His hand trembles.




* I love this life.
seem temporary and mortal things I vacuum.
immortal scorn and cold scent
decayed statues that accuse the sad
walks.


*

My past lies like a shadow,
elusive, stubborn because I live.
Seductive, drop me in it, and every hour I
mine some remains high:
this unfinished story
frayed.


*

When the time gap and you,
is full of splendor with other lives, there will still be some reflection

that would betray the shadow of your now.



*
dry in the ashes of the fire
is what promises the secret of your life.



De provocative Thirst (Haiku and tanka) (2006)
Go to the crying


a blooming spring
ice field.

* Contigo


passes the pages of a book
fly attentive.

* Dulce

time. No time to

both infinite enjoyment.


*


Everything is wet under the moonlight.
're always alone.

* Miro

snow.

the dark shadow crosses a black jackdaw.

*

A dream in another
every moment passed.
can hear the crickets.

*


planted cherry trees in his garden in autumn.
is never in it!

* Some perfumes


autumn evenings. You find yourself
absent.

*
Roe

rock of my gloom
a soft wind.

*


In this shadow you
tends night is your day.

*

mundane
Everything is under the cool shade of the cherry
.

*


Despite the blue sky, the dark forest known
injured. *



Winter Flowers.
My pain and
land covered with snow. *



Drifting

every thought is there in my death.
Look

*
rain, wet
the same planting.

Your pain is the shadow of hours
told by your hand.

*


I'm into you because time is finite.
Close your eyes, but quite

see what touches my absence. Ricardo


Virtanen


Thursday, October 22, 2009

Is A Flea Bomb Necessary



STREET GRAPHICS!
Well all we know people like street graphic that is a way to express what we think or feel, but you see it is split equally
graffiti, street art, posting hours so that cometh to tell that treats each one:

Graffiti:
It called graffiti (taken from the Italian plural word graffiti, graffire) or painted in various forms of inscription or painting, usually on furniture. The Royal Academy of English referred to as "graphite" a particular painting and its corresponding plural is "graffiti."
Also called "graffiti" to entries that are left in walls from Roman times.
In common parlance, the graffiti includes what is also called graffiti: the result of signs painted on the walls, often political or social content, with or without the permission of the owner of the property, and the sign or set of signs of that character that have been painted in one place. Also called graphite, by extension, the slogans that have become popular with these techniques, for example, graffiti in the May 1968 riots in Paris: L'imagination au pouvoir (power to the imagination), or Sous les Pavés il ya la plage (under the cobblestones is the beach, etc.).
The expression Graffiti is also used to refer to the artistic movement of the same name, as distinct from the paint or as a subcategory of it, with origin in the twentieth century. It was a movement started in 1960 in New York, or, as alluded bibliographic sources as getting from the underground, in Philadelphia.
Graffiti is one of the four elements of hip hop culture, where graffiti is called network or a specific type. In this sense, a policy would not be painted a graffito.



Urban Art Street Art or

The term street art or street art, English translation of the term street art, describes all art as expressed in the street, usually illegally. Encompasses both urban art graffiti as to various other forms of artistic expression in the street. Cities that are key points of street art are London, Barcelona, \u200b\u200bBerlin, São Paulo and Toronto, among others.

Since the mid 90's the term street art or, more specifically, Post-Graffiti is used to describe the work of a varied group of artists who have developed a way of artistic expression in the streets by using various techniques (stencils, posters, stickers, murals ....), that deviate from the famous graffiti.

use template (stencil), often with a political message, is especially important in Paris in the second half of the 60's. However, not until the mid 90's, with the appearance American artists like Shepard Fairey and his campaign "Obey (Obey Giant) (Obey the Giant), designed from the character image of Andre The Giant circus performed by using posters and templates, when various proposals of this type gained momentum in various parts of the world and are perceived as a whole as part of the same phenomenon or scene.

The original message of this campaign was null, was erected by referring to himself, no other meaning in the middle. However, since the mid-nineties has been one of the images of urban culture more often taken up by other artists. It has been paraphrased by way of homage and others such as irony, but has served as important basis for the development of street art in all capitals. Stencil
in Buenos Aires, Argentina.

Street art, by integrating its elements into a very crowded public places, intended to surprise the audience. Often has a striking subversive message that criticizes society with irony and invites the social struggle, political criticism, or simply a reflection. However, there is some debate about the real aims of the artists currently involved public space. NACE

IN

Stencil:
not an art, is a technique and as such tool for multiple proposals and messages artisans, artists and activists with various proposals and goals. Heritage hybrid of two types of graphical demonstrations, etching and graffiti, is linked to the former as an extension of one of its earliest forms, the stencil (the application of ink on paper or cloth through a mask and intrinsic intention multiplication) and the second, while the support that is usually chosen for its implementation is not usually of fabric or wall paper, but the public space.
Thus, applied in that urban housing is the street, usually with spray paint spray, stencil graffiti with a message that multiplies in the public space. And a message that goes to the pedestrian Citizens, therefore, a political message. If everything is political stencil at least in the sense that every prisoner it is not surprising that the stencil in Argentina nurse had a renaissance in the extraordinary moments when politics turned to the streets, in the debut of a century in which citizens awoke from an infamous decade of selfishness and sophistication (in the sense of deception, illusion)
and returned to participate in public affairs. Few years that have passed since the events we found, we regret to note that the intensity of the protests of December 2001 was not sustained over time and a certain tranquility in the waters of the Argentine economy enough to they all come back.

The stickers (stickers or pegate) are part of street art, which in turn is a style of graffiti


THE POSTING:

is how to publish a product or an ideology is a transporter of slogans and information in this brochure are the banner.

na banner is an informational or propaganda poster made with a horizontal cloth carrying written or printed message, usually demands. [1]

The protest banners are carried by the protesters during the demonstrations, while the typically larger in front of it where it is carried by the most illustrious participants. They can also be fixed to walls or trees or other stationary objects to be read by anyone who passes by.

As a form of art, the flag of protest may have an elaborate design or just be a slogan sprayed with spray on a piece of canvas, cloth or cardboard. It is common to use self-adhesive fixing points on the support.

A printed brochure is a multi-sheet that serves as informative or advertising tool.

In marketing, the booklet is a simple way of publicizing a company, product or service. Distribution form is varied, placing it at the point of sale by mailing, mailings or including in another publication.

distribution chains regularly used leaflets to inform customers of the area offers a week, month or year

effective for the preparation of a brochure, is recommended.

* Print headings, clear and attractive.
* Perform complete arguments. Densely explain the benefits of the product or service and to summarize them.
* Include a good number of pictures in which they are the products and demonstrations of its operation. Attach explanatory captions.
* Accompanying the text with diagrams and photographs or drawings.
* Perform a logical path for each product and arguments.

three bodies A booklet is written on the front and back and folded toward the center from both sides.

The brochure is an example of a specific size document with which you must work. Can not add an extra page. Your text and images must fit within the space required, otherwise the owner will not bend properly. A template or sample would be very useful for a document like that. Once you have created this sample, make a brochure becomes a very easy task. Will need to replace the temporary text while maintaining careful its location on the page. See also
.

Can You Trade Pokemon Mac

the 1st the 2nd the 2nd the 2nd

1. LOSS NINES
We, at work and in the images we capture wanted to show how children are losing part or her childhood because of adults who do not do things or activities? Promotes remove children from poverty and drug of so many martyrs.









2.LA HARM SOME WEALTH OF ALL
Our job was to capture through a wall potable water use in oil wells and the effects that cause long-term population.
The performance was for us a very good experience as this type of project do not we ever made was not easy but it came to a successful conclusion and fun.
The wealth of some harm to all is the title of our project. We decided to give this name because many people use water as something useless, as are others that need to survive in parts of the world that this remedy is not to spare.
try to pass through a wall reflection message to society that often does not care this issue of great magnitude.
Tamara Rodríguez, Emilio Maldonado, Melissa Huaiquil, Pérez Martín. ART 09









3. TELEVISION IN PEOPLE
We, we work on television as an influence on people, because we want to show how it affects children violence at any time of day, media.
The drawing shown below is in Kindergarten No. 465 in the form of cartoon why is black and white, tried to shape the subject that we usually see in the drawings of children. It was not hard to do the job, because the only thing difficult was that there was space between the bricks of the wall. But nevertheless stayed with the job and hope parents become aware of how mass media influence on their children. ATTE Micaela Porto Cercuetti Jimena Quiroga and Florence.






WOLF 4.BOCA
The work we do is located in a passage on Rivadavia Avenue.
mural in our sample we "pitch" to which we turn in our urban gait of each day. With this face we want to represent all those things that hinder our development as good human beings (violence, routines, theft, selfishness).
At first we wanted to focus on adolescents and youth who spend their time and intellect in things that will help them grow in the future (violence, drugs, etc..), Representing these things with a ferocious wolf that target these teenagers, all embodied in the wall. But working the message and deleting items from the first sketch, we conclude in just one pitch open inviting the whole society and not only young people, to enter it.
The place is suitable for the interpretation the message, going through a narrow passage is bounded by buildings on one side the mural as a detour on the path we tread, in which we can choose to dive or not












6.TRATA OF WHITE
Members: Miranda, Carcamo, Traipe, Montecino, Paredes
We choose the theme of sex trafficking because it is a hidden reality, disturbing and felt the need to translate a message to people about it.
work all we can to make the message clear and understandable. That is strong and consientise.
The venue (the Place Spain) this view of the cars, the buses (there is a traffic light and a bus stop, which helps because the vehicles and transport have to stop and for these reasons I can see).
also people who move, as it is a very busy place.
decision to turn black background to change the traditional aesthetics as it is a sad message, it was better and looked more interesting. After
finished painting we realized it was a good job and the people watching him constantly. It was difficult
tube small inconvenience but we knew solving group.
We are very happy, we meet the target.










6.ADULTOS MAJOR
try an idea about seniors and how good they can leave us, we were excited the idea and after several sketches come to an end that we were satisfied in this, we represented the wisdom of the elderly in the tree, which is supported by his grandchildren to share with them a pleasant moment while chatting about their experiences, teaching and guiding them.
These are the moments that we believe are needed, enrich the messages and values \u200b\u200bthat a grandparent can leave young people in their environment.
While we worked we are motivated to see a positive response in the people and the elderly themselves, who were grateful that we, the youth, have in mind.
personally believe that the young and not so much, we should be aware of their existence and know that they already passed through much of the way and know much about him.








7.CONTAMINACION SONORA Chaing-Díaz

The work that we capture on the wall is on noise pollution / sonora.Decidimos work with this issue constantly suffer because of pollution generated by ourselves, but chosen is one which passes unnoticed by todos.las members of this group are: Chaile Barbara and Micaela Diaz, students at School No. 746. The graffiti was done in the center of Rawson Street (between Belgrano and Mitre), and was chosen the same as there not a moment where you do not hear any noise, sound, etc.La way of working was very successful, and we were alone 2 and got a job successfully. Being only 2 of the members of this group had two busy days which we carry out this work, since both work the same way, correcting errors, obtaining mutual aid group had no difficulty in solving the task, at first to perform sketch at some point our eigenstate Decai and we had no positive results of our work, but be for we never had fights or disagreements. Once completed the sketch we made cards to be able to get paints and accessories needed. With the letters and Impreza, select the paint stores more accessible to us in encotraba and 1 of 7 we responded and we could help. The message we want to make is that we protecting our health and the environment around us, help you get a better city!




8.PAZ
WORLD reflected in the mural reflects our intention to leave a message of peace. To be visible to adolescents and adults. Also highlight the hope that you can achieve a better world. Wanted the colors used to symbolize peace in the world. Psychedelia also implemented in the background, as this was well known in the 60's, as the symbol and reinforce the idea that it played in the world, writing "peace" in different languages. The entire composition is made so that the message be interpreted as such. "For us to do this mural meant something very important as we work hard to do so. From the beginning we were very clear what we wanted to capture it. At all times, our intention was to leave a message of peace to finish mundo.Al feel great satisfaction at being able to achieve what we longed so much to convey.















Nadine Jansen & Milena Velba In The Road



2. HOW WILL WATER
When our teacher informed us on the street graphics project, we felt something innovative, but the idea was intriguing to paint a mural.
The concept of what we wanted to capture was the reality, how time escapes us as water on the hands, often without realizing it. We found it interesting this message, as it affects adolescents and adults, without distinction between age or occupation. So we strengthen our graph by adding a keyword: "Aprovechalo" and not just show what happens if we waste our time.
The mere thought that someone can become aware of their use of time, to see our mural, is something that fills us with pride and makes it all worthwhile ...

Paola Aguilar, Herrera Romina and Primo Anarella.















3.NIÑOS KIDNAPPED
We are a group of four pesrsonas, Matias Barria, Alexa Sotiriou, Florence Mauricio Sosa and Arce, college students No. 746. Production course material and communication, and this year we played investigate the street graphic. Then we had to choose a theme that seems important in order to translate it into a wall of Comodoro Rivadavia, for anyone who watches it will understand and left a message.

The theme we chose for this mural is about abducted children throughout the world.
"The old bag, old and famous myth about a man who was not known their identity, and the children had misbehaved in a burlap bag, and we just decided to build on this history to represent our mural.
It, "the old" we represent the body of a man all in black, without identity, and we did so because the kidnappers are many, and rarely know their identity. A bag the paint with the reason for the world to highlight the issue of which we, like the faces of children, we drew with different features in the bag.
The words we choose is simple and short, since what first thing people ask when a child disappears is Where is it?, and put "Where are they, is for all children abducted, no one in particular. This idea is for people to look at, understand and reflect on what is happening around the world and that anyone of us can happen.

The wall chosen was below the 4 km bridge, but for different problems had to change at the last moment, so I decided to paint it in the street Chenque Cerro Juan Diaz and right in a corner.
The mural measures 4.05 by 1.95 meters.

we organize ourselves to paint quite well, provided we kept busy because you did not paint, paint prepared or arranging details.
The only problem we had was with the first wall we chose, there was so much wind, we are flying things, and to be steep ran risk of being run over.
This group had no problems, everyone was comfortable I got on well, we learned to understand everything we did.






1 º PAREDON COULD NOT PAINT BY CLIMATE PROBLEMS IN THE BRIDGE KM 4






4.MANIPULACION MEDIA COMMUNICATION
We want to represent in the drawing as a means to manipulate the people, through information transmitted by the media.>
I solved this way: we choose one of many television stations trapping of the head with one to one guy tries to get to that television does not catch it.
use bright colors to draw the attention of people when it happens.









5.DROGADICCION
We raise awareness, teens, that the world is very dangerous vices. When you enter is very difficult to get out.
We use a face split in two, within a circle is also divided.
His face split into two shows that when you are away from the world of services the person has a pleasant life, but when he gets his life in this world is dark. The string represented as the addict is stuck to these vices and is a heavy burden, so the size of the string.
The young look is directed towards the borders of the world, this means that the addict does not see its reality, but he sees what he wants to see.
With regard to the colors on the "cute" the world uses natural colors transmitting and happiness, but instead on the side of addiction use muted colors and dark convey sadness and loneliness.
was a very good experience, although at first he saw complicated, as well as anyone in the group drew the mural would look bad. But we were surprised to see it finished because it exceeded our expectations. Barria
Ariana, Campillay Fabian, Debra Da Costa, Purtscher kevin, Prada Celeste






SOCIAL 6.DIFERENCIAS
We chose this theme because wanted to show something that happens in our country and the world, which is the''social''difference, so we decided on the graph represent the rich and powerful businessman, who is only interested in its sole benefit, represented by a devil suit, which has the world in their hands to steal their natural resources and grabbing his tail a group of abused workers. DIAZ-Roldal
-ALTAMIRANO-ROYINSON-CHAMORRO









7.NO A Munos
SPEED DO BRITO CECILIA TATIANA FRANSISCO SAEZ
We BELEN HUGHES school students 746.Cursamos No matter production and communication management and this year we conducted research on street graphic. Then we had to choose a theme, a type of graph and plotted on a wall.
The intention of our design was to try to educate drivers about the consequences of speeding.
We use as a reference to the cartoon "Roadrunner" because it seemed a good benchmark for speed. In our picture, the character mocks a speed sign (maximum 20) and appears bumping into a pole.
We made a wall that faces the street and the new province Bher Francisco. We chose this location because we know a place where many accidents occur and we were easy to achieve.