Hi friends
this month comes to see our beloved Joseph Cereijo. Poet who often participates in the confessional intimacy, cultivator of haiku and the story, his poetry moves through some of the commonplaces of figurative poetry so typical of the eighties and nineties, without giving a personal voice, deep and true.
Cereijo The meeting with take place on Friday 19 February, as always in the James Joyce Pub (Alcala 59, Madrid). Begin at 19:30 to end on 20:45 (approx.) Eye with this, because this time the nine have to be all removed in the booth to start dinner, so we'll be scrupulous schedule .
So that you know a little by this author we leave his bibliographical note and some links:
José Cereijo, born in Redondela (Pontevedra), in 1957. Since 1968 lives in Madrid. He has published four books of poetry to date: Limits (Stock Melibea, 1994), time traps (Hyperion, 1999), hikus: Silent Friendship l a (Pre-Textos, 2003) and Music for dreams (Pre-Textos, Valencia , 2007), and a book of short stories, Appearances (Renaissance, Seville, 2005).
this month comes to see our beloved Joseph Cereijo. Poet who often participates in the confessional intimacy, cultivator of haiku and the story, his poetry moves through some of the commonplaces of figurative poetry so typical of the eighties and nineties, without giving a personal voice, deep and true.
Cereijo The meeting with take place on Friday 19 February, as always in the James Joyce Pub (Alcala 59, Madrid). Begin at 19:30 to end on 20:45 (approx.) Eye with this, because this time the nine have to be all removed in the booth to start dinner, so we'll be scrupulous schedule .
So that you know a little by this author we leave his bibliographical note and some links:
José Cereijo, born in Redondela (Pontevedra), in 1957. Since 1968 lives in Madrid. He has published four books of poetry to date: Limits (Stock Melibea, 1994), time traps (Hyperion, 1999), hikus: Silent Friendship l a (Pre-Textos, 2003) and Music for dreams (Pre-Textos, Valencia , 2007), and a book of short stories, Appearances (Renaissance, Seville, 2005).